Saturday, September 18, 2010

Kalavani...of hearts!

After a lot of internal debate that raged for hours on end, I decided that the first movie I am going to write about is Kalavani.

In a long series of rustic Tamil movies focusing mainly on the lives of villagers in the village or their struggle elsewhere, starting from Kadhal I think, till the most recent Angadi Theru, all of them have kind of a similar underlying theme - Tragedy. Stereotyping, according to me, is one of the greatest problems faced by Kollywood. Even though all these movies had a good storyline and some exceptionally brilliant performances, after a certain point, it just becomes too sad and heavy. Poo, Renigunda, Paruthiveeran, etc., are certain examples. The one movie in which this theme of sorrow seemed to have been forced upon, and the movie that caused me great repulsion to these kinds of movies, was Vennila Kabadi Kuzhu! Pointless killing of the hero in the climax I say. Thus, Kalavani, was a refreshing change.

The cast:
Vimal as "Arikki engira Arivazhagan" was brilliant with his dialogue-delivery and had lived the character. But this is just the tip of the iceberg. The phrase girl-next-door has been used out of context many a time to describe many heroine characters. This time it fits. Oviya as "Maheshwari"has essayed her role beautifully. Let us not forget Saranya and Ilavarasu. Saranya's character portrayal is one of the best I have seen in a while and Ilavaru has done an exceptionally commendable job. Ganja Karuppu and the other members of Arikki's gang sparkle in the humor department. Ganja Karuppu's Polydaayil predicament is one worth mentioning. And lastly, Thirumurugan, as Ilango, manages to convey that he is not the bad-guy type and at the same time he is also one of the don't-mess-with-me types.

The Story:
It is a simple boy-meets-girl, boy-falls-in-love, girl-accepts, her-family-does-not, girl-rebels, her-brother-pissed, make-amends and happily-ever-after story. But the way Director Sarkunam has handled the story with brilliant doses of humor is what makes this story different. The movie is a laugh-riot right from scene one and this in itself makes it a worthwhile watch.

The story is set in two rival villages, and obviously, the hero and heroine are from these two villages (duh!). Arikki is a happy-go-lucky guy who coerces his mother and sister to part with the money, sent by their father in the gulf, for his and his friends' entertainment. He has a standing rivalry with Ilango, details of which are not revealed, who is the heroine's brother (duh! again). Mahesh, the heroine, travels from her village to the hero's, to go to school. The initial scenes when they meet and up until the point they are in love with each other, are exceptionally thought out. The better twists in the movie that happen in the second-half, after the arrival of Ilavarasu from Dubai , are really good.

Also, the nail-biting climax is one to look out for. The music is really nice but the songs except "dunga dunga duma duma dunga" fail to leave a lasting impression. The editing is crisp and the cinematography is praiseworthy, bringing out everyday rural life in natural light. Overall, the movie is one to watch, mainly because it will make you forget your real-life for a while and allows you to enjoy the fun with the characters.

Kalavani is a Must-Watch! It is a movie, that signified, to me, that Tamil Cinema is not dead!

Friday, September 17, 2010

Honour and Glory...

Everything must have a beginning and everything that has a beginning must and will have an end. Sometimes things are conceived but not begun and at other times things have begun, things that were not even within the scope of the wildest dreams of the person who began it. Things so beautiful that it sometimes makes us look up in the sky and wonder. Wonder whether there really is a God.

I am a staunch believer that cinema is one of those things. Cinema is a medium that, for a period of 120 minutes or more, lets us be whoever we want to be. And there's a saying that goes "Music has no language". This holds for movies too. In fact, the only things that are bound by constraints such as languages are human beings and thus, due to my inabilities, I am forced to concentrate mainly on English and Tamil movies in my posts. But there will be an odd post about other language movies here and there.

What will these posts be about? I do not have exact words to describe my content. I will not impose yet another constraint called 'review' and stem my thought flow. At the same time, I will make sure that I limit my monologue so that I do not bore you.

Movies according to me are of three kinds. Yes! Just 3 kinds. Must-watch; Watchable; Don't-watch. All other classifications, I believe, have evolved when people get too carried away trying to describe a movie. In fact, these other classifications, in actuality, are those that determine which of these 3 classifications a film falls into.

I will not post only about new movies. It could be any movie, released in any era and I could have watched it ages ago. I will honestly put down what I think about; whether it deserved the fate it met with.

Another important thing you are supposed to take note of is that I am bound by my own opinions and I will be biased. For example, even if Vijay gets an Oscar (which is very raised to infinity unlikely), I will still continue to hate him.

I hope I have done justice to the name paithiyam and made you bang your head on the table. This is just the beginning! Chumma...trailer...idhuvae ippadinaa appo Main Picture? hahaha!


Signing off...I will try to post about one movie a day! And my profile picture and this blog in itself is a tribute to Sivaji Ganesan and my Tamil Cinema. Vaazhtha Vayadhillai...Vanangugiraen...Honour and Glory!